![]() Here I see the "choice rule" changes to # of 2nd line degrees for that vertex minus # of previous visit until 0 choices remain and success if you have 8 lines. At this point you have returned to a previously visited vertex. As far as I can trial it, this "choice rule" holds until the 5th line. The second line reduces each vertex choice by 1 since you can't redraw the first line. 2 at the apex of the roof, 4 at each top corner and 3 at each bottom corner. So I begin 8 lines to be drawn with 5 possible starting points, depending on which vertex is selected as the starting point there are 2, 3 or 4 choices for the first line. I believe I am on the right path but lack the education to go further. "I've been toying with the house with an X drawing and trying to mathematically figure out the number of possible correct solutions. If you do not yet have an account and you are a teacher, tutor or parent you can apply for one by completing the form on the Sign Up page.Ī Transum subscription also gives you access to the 'Class Admin' student management system, downloadable worksheets, many more teaching resources and opens up ad-free access to the Transum website for you and your pupils. The solutions to this and other Transum puzzles, exercises and activities are available here when you are signed in to your Transum subscription account. There is printable worksheet to go with this activity and also an activity called Bridge Crossings based on similar principles. When you have all six diagrams correct you can collect a Transum Trophy for your efforts. ![]() When you think you have traced all of the diagrams you can and ticked the tick box of the others you can click on the check button to see if you are right. A tick box is provided below the diagrams for you to indicate the impossible diagrams. The 'Start Again' button is provided to let you erase incorrect attempts.Īt least one of the diagrams is impossible to draw in this way. In this version you are required to click on the dots to show the route of the pencil. It's a worthwhile record with some minor peaks, but I hope the band finds their way out from under Horus's grey cloud.This is a computer version of the classic pencil and paper puzzles in which the objective is to trace the diagram without taking the pencil off the paper and without going over the same line twice. I hate to sound foreboding, but the record that Horus most reminds me of is Pavement's Terror Twilight. The melodies take time to grow, but the brevity and unresolved air of these songs make many of them feel like fragments. "Demon Love", on the other hand, is the lone curveball of the record: It begins as a prodding dirge, but when in the chorus swells with a choir of backing vocals, it's the closest to real despair the album gets- but it's also its most gorgeous moment. "Demon Child" sets the bar early, moving from warm organ tones into one of the record's few rock riffs. The pair of "Demon" songs are the most memorable tracks. "Forever Alone" even sounds oddly triumphant, with a horn section backing the chorus of "I am alone/ Tonight and forever." You can hear it in "Putrefaction", featuring lines like "You will drown down below/ While ever onward I roll" and "Now go off on your own/ I feel better alone/ I turn seaweed to stone/ I make music alone." But the words sound lighter on record than they do on paper thanks to Barth's boyish delivery. When not singing about demons and princesses, Chris Barth grounds the fantasy elements of his lyrics with heavy thoughts of loneliness. The album isn't necessarily dark, though its lyrics might suggest otherwise. The whimsy of their previous efforts has been flattened in favor of a consistent, melancholy mood. But compared to their previous work, Horus is tighter and more focused, and the songs are static in tone rather than the dynamic shifts that fans may expect. On Horus, they're still indebted to sounds of the 1960s (sounding less "lo-fi" here than ever), both in their British folk-influenced melodies and psychedelic textures.
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